History of Tsurphu

History of Tsruphu Monastery in Tibetan

 

Between 1992-1997 Terris and Leslie Nguyen Temple created the two giant thangkas for Tsurphu Gompa H.H.Karmapa's main seat in Tibet established in 1187 by the 1st Karmapa Dusum Khyenpa.

For the last fourteen years they have been the artists to H.H. the Gyalwa Karmapa’s Tsurphu Monastery in Tibet.

They now have been requested to undertake the making of the two large ceremonial silk appliqué lace like banners for display in the main assembly hall at Tsurphu. These are the companion pieces of the two Giant Appliqué Thangkas completed in 1997, and are to be used in the main assembly hall for the ceremonial aspect of the both festivals.

Unlike the 2 giant thangkas these 2 Drawa Drachey appliqués were not destroyed, but taken to Sikkim by the 16th Karmapa Rigpe Dorje in 1959, and are now at Rumtek Monastery, India. These are to be copied for Tsurphu at the request of His Holiness Karmapa, Ven. Drupon Dechen Rinpoche (the late the abbot of Tsurphu), and Tsurphu Gompa.

These two hangings called dra. wa. dap. che, (pronounced drawa drachey) one is peaceful (Tsechur Drachey)  and one is wrathful (Norbu Drachey), each measuring 2 mts x 40 mt, (approximately 7’ x 120’) will be used during Saga Dawa and Lotsar festivals annually. This will complete Tsurphu's precious appliqué relics lost during the Cultural Revolution. As with the past projects, the responsibilities of the artists range from drawing the images, acquiring the materials, supervising the sewing work in Lhasa, as well as fund raising. The same team of Tibetan women part of the White Conch Factory in Lhasa, and the artists are the work force.

Tsurphu Gompa is the original seat of all the Gyalwa Karmapas and the Karma Kagyu Lineage. They need this support and these pieces to continue their important work for the benefit of all beings.

PHASE ONE of the Tsurphu Drachey Projects (Norbu Drachey) is complete.

Tsurphu is now using it in important ceremonies July 2007.

The peaceful drachey (Tsechur) is associated with the Sagadawa festival. Celebrating the birth and enlightenment of the Buddha, and Guru Rinpoche, founder of Tibetan Buddhism. The Guru Senge Cham (Guru Rinpoche Lama dances), these traditional elaborately costumed dances are preformed by about 80 lamas, and take up a good part of the day. The Giant Karma Gadri Thangka is shown the following day.

PHASE TWO

The Lotsar ( Gutor ) celebrations are where the second Drachey (Norbu) is used to purify the coming new year. Mahakala puja is performed, as well as the protector’s cham (lama dances). Again approximately 80 beautifully costumed dancers perform this ritual cleaning ceremony. Dignitaries, nomads, local villagers and foreign guests attend both of these festivals.

The Norbu Drachey sewing was begun in Lhasa, June 2006, and was completed July 2007. Now the more complex Tsechur Drachey will be started.

This piece is 7 ft x 120 ft or 2 mt x 40 mt.

This project involves the same team of workers who completed the last 3 appliqués for Tsurphu monastery, the White Conch Factory, Lhasa, Tibet.

This project has the support of His Holiness and Tsurphu Monastery.

Authorization letters and additional information can be viewed

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